Michele's entry into Gloria's Book



 

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March Book Swap Highland Beach

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  (L) Adjoa opens the page she created in Aziza's book while Pam looks on. (R) Gail is shown with her accordion book about the Crocodile. As we move closer to the end of the book rotation, Pam was kind enough to let us meet at her beach home again in Venice Beach, MD on March 27. We turned each page of Aziza's book with excitement, marveling at all the diverse styles and materials used. Everyone enjoyed looking at Gail's book as well, as she unfolded each page in her accordion book. 
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Pam's Contribution to Adjoa's Book: What's in a Name?

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  This piece honors my name and depicts both me and my mother as young adults and mature women. When I was a child, I didn't like my name much.  I only knew 2 other Pamela's in school, and people tended to call me 'Patricia' rather than Pamela (this still happens today)---I'm not certain why because they don't sound alike. One day in frustration I complained to my mom that I didn't like my name.  She looked sad and said, "I named you after me.  I didn't want to name you 'Patricia' because then people would get us confused." My mom has always been my guiding light, the person I wanted to grow up to be.  I greatly admired her and from that day forward took pride in my name. Our middle names are "Anne" meaning 'favor' or 'grace' and this I knew was in honor of my great-great-great-grandmother, Anne Nichols.  In our family names are a source of pride and a way of honoring past ancestors.  Middle names are typically...
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Gail's contribution into Aziza's Book

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This was the beginning of my idea, where I used a combination of printed papers from Monotypes, along with my gel medium transfers. Adding colored paper offered less contrast than white paper, however, the results took on a dimensional appearance that magically merged the two media. While introducing Aziza's theme of "the resilience of weeds" I added some weeds growing in my yard. I dried them and then attached them to the collar.  I am happy with the way the swirls within the print appeared through the face. The absence of the rest of the face does't bother me either, as it just reminds me of the parts of a persons face that you no longer see due to COVID19. The nose actually belonged to another mask drawing and the eyes belong to a monotype of a face. The merger was accidental, while playing around with different ideas. The image is reminiscent of Ed Paschke's work, a Polish American painter, but only after the fact, not inspired by. The Cross belonged to my Mot...
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