Filmmaker India Soodoo Graces our 3rd Book Exchange in Annapolis in October


 

        



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Gail's contribution into Aziza's Book

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This was the beginning of my idea, where I used a combination of printed papers from Monotypes, along with my gel medium transfers. Adding colored paper offered less contrast than white paper, however, the results took on a dimensional appearance that magically merged the two media. While introducing Aziza's theme of "the resilience of weeds" I added some weeds growing in my yard. I dried them and then attached them to the collar.  I am happy with the way the swirls within the print appeared through the face. The absence of the rest of the face does't bother me either, as it just reminds me of the parts of a persons face that you no longer see due to COVID19. The nose actually belonged to another mask drawing and the eyes belong to a monotype of a face. The merger was accidental, while playing around with different ideas. The image is reminiscent of Ed Paschke's work, a Polish American painter, but only after the fact, not inspired by. The Cross belonged to my Mot...
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March Book Swap Highland Beach

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  (L) Adjoa opens the page she created in Aziza's book while Pam looks on. (R) Gail is shown with her accordion book about the Crocodile. As we move closer to the end of the book rotation, Pam was kind enough to let us meet at her beach home again in Venice Beach, MD on March 27. We turned each page of Aziza's book with excitement, marveling at all the diverse styles and materials used. Everyone enjoyed looking at Gail's book as well, as she unfolded each page in her accordion book. 
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GAIL'S CONTRIBUTION TO KAMALA'S BOOK

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This mask represents the "metaphoric mask" that my ancestors had to wear to disguise their feelings and disappointment while negotiating through a racist American society.  However, through further research it is also a fact that they had to disguise how smart they were as it relates to knowing how to read and speak proper English. Literacy threatened the major justification of slavery--that black people were"less than human". Therefore, it was to the slave's advantage to express "bad English" to whites because, as Fredrick Douglass (1817-1895) said, "Ignorance is a high virtue in a human chattel; and as the master studies to deepen the slave's ignorance, the slave is cunning enough to make the master think he succeeds." (Paulette Brown-Hinds, Black English during Slavery). In Kamala's book, half of the mask opens to reveal the inside of the page. There, you will find the shape of Africa with a sampling of names of different languages...
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